Heller McAlpin

Imagine taking a sabbatical, not just from your job, but from your life. How about going even further and taking a yearlong break from yourself and the world, courtesy of an extended nap? That's the desperate plan of the unnamed 24-year-old narrator of Ottessa Moshfegh's bizarrely fascinating second novel.

Here's one advantage to discussing Rachel Cusk's trilogy of conversational novels: Because they're essentially plotless, there's little need to worry about spoiler alerts. The surprises and rewards of reading these books comes not from finding out what happens, but from getting pulled deep into their labyrinthine tête-à-têtes.

Caryl Phillips' latest novel, based on the troubled life of the writer Jean Rhys, is a lush exploration of the costs of colonialism, the limited possibilities for non-conformist women, and egregious power imbalances between genders and races. Rhys' life — she was born in the British colony of Dominica in 1890 and sent to school in England at 16 — is a fitting canvas for Phillips' perennial themes of displacement, alienation and muddled identity.

The title of Michael Ondaatje's atmospheric new novel — Warlight — refers most directly to the dimmed lights that guided emergency traffic during wartime blackouts, but it applies equally to the cloak of secrecy and uncertainty that blankets this haunting tale.

No one writes about close friendships and unconventional domestic arrangements between gay men and straight women with as much charm and flair as Stephen McCauley. When his first novel, The Object of My Affection, was published 31 years ago, same-sex marriage was somewhere over the rainbow, but his characters, gay and straight, banded together to create a new-fangled family.

Pages